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Respect: 2
Posts: 1,248 Join Date: Nov 2007
Location: Toronto
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04-29-2009, 03:31 PM
Are you saying we should not take moves literally from other dances, but rather... take the concepts that give the moves their appeal?
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Dec. 9 '07 - my unofficial official start bboying date. "Everytime you masturbate, Buddha saves a kitten from cyclic existence." - Anonymous UNBANSYRENZ, free the lolcats! |
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Respect: 3
Posts: 1,365 Join Date: Nov 2005
Location: London
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04-29-2009, 04:18 PM
That is the first time I've seen a tektonic battle.
I don't know what to make of it. At least it isn't as scarring as that time I watched a random dance battle thinking they were girls, only to find out afterwards that it was a vogueing battle. |
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NSC - LondonTown
"He was a breaker boy she said see ya later boy, he wasn't good enough for her.. now he's a superstar airflare'n on her car... he showed her what he's really worth." -MaDD, the undercover songwriter |
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Respect: 12.5
Posts: 1,009 Join Date: May 2006
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04-29-2009, 06:45 PM
by competitive and energy-packed nature, b-boys are very impulsive about using concepts rather than first understanding them. how far people get into developing their style this way is debatable. yet, we all know that originality does not come by easily and some people even go so far as to say that it's beyond our natural grasp since everything is an imitation of something before it. however, if we view originality like a trait to be possessed rather than an attitude to be exercised, then i think we have missed the whole point of our art. what does this have to do with concepts? originality is the key to unlocking the concepts. it is not the other way around. there are a limited number of concepts at any given time (i.e. year 2000-2010) but there is an infinite # of paths and approaches you can choose to develop those concepts. why take the most conventional, predictable, or literal ones? start with the move but cultivate with the mind. don't let it die because you chose ignorance, apathy, or comfort over being a pioneer. |
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Respect: 25.5
Posts: 5,608 Join Date: Sep 2006
Location: Southern Cali Posts: Too Many
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04-29-2009, 07:46 PM
Yo beanie did you go to eswifts thing? I went with the intent to battle Mikeyice but we couldn't find him lol. So instead I just got creamed in the 2v2s by entering by myself. |
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Beginner Help/Moves Guides moderator. PM me if you have trouble in these areas.
Want to talk? AIM me up at mexijew619 The rest of my contact info is listed here, peace.
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Respect: 3
Posts: 603 Join Date: May 2007
Location: San Francisco
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04-29-2009, 10:49 PM
as in regards to the 4 corners thing... it can also apply to symmetry as well... oh and KING... i totally feel what ure saying broskii... as the things ive been dropping do lead to originality... im just here dropping what i can to help out how people can use the steps in whatever and limitless ways... peace...!! good discussion so far too...!! |
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Respect: 2.5
Posts: 656 Join Date: May 2008
Location: Lancaster
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04-29-2009, 11:22 PM
I have a theory
I think that it is physically impossible to toprock without using indian step at least once (no, not cross step i know these things get confused or whatever...) I'm talking about the indian step that the guy does in the game "bboy" if you've ever played it. It's just like.... you can't resist doing it, it looks so cool and it's so simple. Does anyone agree with me? |
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Respect: 25.5
Posts: 5,608 Join Date: Sep 2006
Location: Southern Cali Posts: Too Many
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04-30-2009, 03:35 AM
Well glad you could hit up down here, Its good to see how people get down from all over I was pretty hyped about lil john and moy coming out from texas a couple of weeks ago for the burning the 9floor9 jam. |
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Beginner Help/Moves Guides moderator. PM me if you have trouble in these areas.
Want to talk? AIM me up at mexijew619 The rest of my contact info is listed here, peace.
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Respect: 8
Posts: 1,106 Join Date: Jan 2006
Location: Olympia
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04-30-2009, 05:26 AM
To rock you need to know how to dance, it ain't that hard. Too many kats are trying to be bboys but can't do a simple 2 step side 2 side with some groove and flavor. If you want to learn to rock, learn how to dance. Take up popping, locking, salsa, WHATEVER. Or just work on that side 2 side groove. Once you know how to dance, rocking is easy as cake. I can rock the shit out of any song, but I borrow lots of my moves from the New Jack swing era, House, Locking, etc etc. Take that shit and flip it to a bboy style and you're gold. Ain't no shortcut though.
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Laugh all day every day haha. |
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Respect: 3
Posts: 603 Join Date: May 2007
Location: San Francisco
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04-30-2009, 06:43 AM
MAN OF CONFIDEN... yo i respect what ure sayin... but were talking bout toprock here not uprock... haha...!! its all gravy as uprock can improve your bboying definitely... im just saying that to avoid misconceptions and separating the line between the 2 dances... so forgive me if i sounded harsh... peace...!! |
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Respect: 8
Posts: 1,106 Join Date: Jan 2006
Location: Olympia
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05-05-2009, 09:06 PM
But like I said before, to toprock you need to know how to dance. Its not as complicated as ppl make it out to be, its like walking. How do you get dope tops??? Learning how to move! I got dope tops simply from toprockin' EVERYWHERE! Its all really just a bunch of two steps. Add hops, spins, twists...whatever you want B. Dancing ain't science, its art. The minute you analyze and overthink it, you've missed the concept entirely. |
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Laugh all day every day haha. |
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Respect: 3
Posts: 603 Join Date: May 2007
Location: San Francisco
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05-05-2009, 11:19 PM
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Respect: 5.5
Posts: 224 Join Date: Oct 2005
Location: San Diego
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05-08-2009, 03:16 AM
Another thing, having control and confidence is definite factor when dancing. It doesn't look too well if you're just tossing yourself around the floor pulling off mediocre movements. You gotta portray that you know what you're doing, otherwise the people watching you will get lost and stop following your movements. That's just the way it is. With confidence, be able to show others that you're not skeptical about yourself. If your heads down and you're not putting any energy into your movements then forget it. It would be like sitting in a classroom with a blunt monotonous teacher lecturing you for an hour straight. In other words, WE WILL GET BORED and you will lose our attention. Avoid that by showing that you're having fun, responding strongly to the music, use facial expressions, etc. Whatever you can to keep the crowd hooked! Lastly, you know something is wrong if you step into a circle and you feel like you're obligated to dance rather than having the desire to. |
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Respect: 3
Posts: 603 Join Date: May 2007
Location: San Francisco
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05-08-2009, 08:38 AM
anyways back on track... another thing i like to share is isolation of the hips and upper body... isolating can make or break peoples forms from what i believe depending on how well they can shift their hips... ill delve more into this later... i wanna if people ever experimented with this... peace...!! |
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Respect: 1
Posts: 412 Join Date: Dec 2005
Location: Paranaque
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05-10-2009, 02:31 PM
haha i just read this tread from the first and before the last im plannin to put up "power of the hips" but sadly the last one before me says something bout the hips..so yeah i'll just share whats mine..
Hips! hips play a big role for me in toprock and ROCKING..yeah these are two different styles..and even in other styles .but regarding the hips..knowing how to control or shift your hips in different dirrections maybe it up and down, left and right, circles, zigzag different levels etc.. plays a big part in making your toprock natural and with flava. its the one that will throw watever kind of move you wanna do with your tops..its like having sex while dancing..the power of hips! |
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Respect: 3
Posts: 603 Join Date: May 2007
Location: San Francisco
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05-10-2009, 10:44 PM
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