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NEWB's LOOK HERE - 11-30-2003, 01:52 PM

So, newb to graffiti eh? Well, dont post a new thread bout it, thats what this is for. I spent a little bit of time and collected all the literature from this forum you need to get started and building a good foundation for graffiti. Keep in mind, the entire graffiti guide Im posting is by GROUND CONTROL and NOT me, unless i otherwise say so. Just want to make sure i give credit where its due
All Links at the bottom are found by me, and supply alot for good tips and guide to stuff you might have questions about.

Also, keep in mind there are rules for this forum. All blackbook sketches or drawings go in the OFFICIAL BLACKBOOK THREAD
All Graffiti Flix go in the *gasp* OFFICIAL GRAFFITI FLIX THREAD
If you want to call someone out for a battle, it goes in the BATTLE CALLOUT THREAD
Any threads outside of those that is made in forum that belongs in there will be combined with the appropriate thread, or just deleted if you do it enough.

PS. Its worth it to read ALL of this post, especially GC's guide if you are only going to read one thing. Any questions can be posted in this thread, although if it is ANYTHING besides questions and answers, or is already covered in the guide, i will delete it.

Graffiti, a beginners guide! By Ground Control
First off, note that graffiti IS art, but illegal graffiti has it’s own respective consequences depending on where you live. You are responsible for your actions and I will in no way bear any responsibility whatsoever. This guide was NOT entirely written by me, I have taken information from several other writers in order to create a good guide.
----------------------------------------------------------------------------------------------------->

Alright, so you wanna be a writer huh? Well, I’ll try my best to help you.

First off, go buy yourself a drawing book, graphing paper, some pencils, crayons and markers. You can find these supplies in most stationary stores. If not, you can easily find them in any art supply store or such. The book you will be using is called your “Black Book.” You will use this book to practice and develop your stuff on paper first, then move on to walls if you so please.

Start by making letters. Just create alphabets, making each set look different from the one before. Don't connect them or make words as yet. Try to create a huge variety of alphabets, the more you have the better. Some people will tell you to go get pre-made alphabets online and copy them so you get a feel of it. I don't endorse it...but O'm not saying there's anything tremendously wrong with it either (as long as you don't rip someone's style). You can find a lot of these premade alphabets on the net, http://www.b-boys.com/graffitifonts.html has some fonts that you can use to start off with.

After you've gotten good at lettering...just try combining the letters, creating words and phrases. Get a feel for it, and learn how to manipulate your letters. Then work on integrating various symbols and objects...like the tried and true arrow. This is where your style comes in. Your work should be a reflection on you and how you feel, your characteristics, the best way to sum it up is that your style should be you. Always remember, style comes you and no one else can be you, so don’t rip someone else’s style. Stay true to yourself and remain unique.

When you do a piece on paper, draw it in pencil first and than use like a gel pen or a roller ball pen and trace the outlines really cleanly. It adds a lot to have clean lines. Also try coloring your work. Try to do some roundness with your lines, so that everything isn't at an angle, but don’t eliminate the usage of angular lines. Work on making some parts of the letter fatter than the rest, lines that vary add a lot to a piece. And don't try to connect every letter together until later, after you get the flow of things.

Things to Consider:




Consider the spaces your letters create. Look at the spaces and shapes that your letters make out of the space surrounding your work and not just the space inside the work.

Remember to balance out both sides of your work. Create an opposing pull of forces on both sides of the work. Think of it like a scale, you want the scale balanced and not leaning on one side. This does not imply symmetry.

Consider the 3dementionality and directionality. Basically look at how your work manipulates the various planes that you can work with.

Consider the direction of which your symbols and letters lead your eyes. They should lead the eye in towards the main part of the work (usually the center) and at the same time lead the eyes out, towards the space surrounding the letters (this is one reason you want to consider the space surrounding your letters). This concept sounds easy enough but it actually quite difficult to master. It takes a lot of practice, and you’ll see the difference in your work once you get it down.

Flow and Rhythm- Alright people have trouble understanding this concept, but I’ll try my best to explain it. You want to make the text look like there's a "flow" to it. There should be one smooth motion across, there shouldn't be any abrupt stops. Symbols should flow into the picture and create more variety within the work. There should be a "rhythm" to speak of in the picture. Get where I'm going at?

Think of your graffiti like a song for arguments sake...the beat is always constant...you want your pieces like that. If you’re into music, think of it in terms of that. Look at it this way (forget everything about flow right now)...your beat is always constant. It goes in a smooth motion and provides the ability for you to create rhymes/lyrics. If the beat was irregular and had all these constant noises and random beats popping up everywhere...not only would it pretty much really blow and lose all melody but it would also give you a lot of trouble trying to rap to it. When you spit you're beat is always there, it's compiled in a certain way to give you a "flow" and is not randomly assembled in various patterns just to make noise.

Think of graffiti...apply those same concepts to it. If there is no "flow" within the artwork, how could it possibly be "melodious”? Now how to do this you ask? I really don't know...it just takes practice. Practice over and over and over and over again, different letters, different symbols, and different combinations of these. You could also try looking around and seeing how different writers do it. But DO NOT copy them in any way.

Another way to think about it is if you’re a bboy. If you’re a bboy you know that there is ALWAYS a flow between moves when you link them. The transition between those moves and how smoothly you pull if off can really make your routine look sick as hell or crap shit. Same thing with graffiti.

Think about how you can interlock the letters and manipulate it and still keep it legible. that way you dont run into road blocks when you did a letter in such a way that it disrupts the flow.


Now after long hours of practice with paper you should be getting better and better. Now we move onto cans. But just because you start using cans doesn’t mean you should stop doing paper. Continue working in your black book as it can only help you get better.

To practice with cans and not look stupid there are many things you can do. One common way that helps a lot is to just get blanks of wood (and other materials, especially if they’re no longer in use and you can manage to bring them home) and just practice on them. You’re going to encounter the inevitable problems that everyone does when you first start out (paint dripping etc.). Some general tips that might help solve your problems…consider how close/far away from the wall you are, the caps you’re using, the paint you’re using, and how you’re using the can.
[GM:Its also good to use cardboard, which is more available then blank wood. Also, alot of newbies move the can too SLOW, which causes drips. You want to be closer then if you were just painting a model car or something, and move faster then you think you would]

Some good alternatives to cans: Markers and shoe polish (very good)
[GM:Also homemade markers or mops are good, look in the link section for information and how-tos on those]

If you intend on writing illegally here are some general rules:
This isn't a rule but first I will ask you to consider the place your bombing and what you're going to be writing. Be respectful.

Practice at home. Learn to move across large areas quickly. Then work on getting in details faster and faster…BUT do NOT sacrifice clean-ness and accuracy for speed, learn to keep your work accurate and as clean as if you HAD taken painstaking hours to do it while getting your speed up. Doing it fast won’t exactly help you if it looks like absolute shit. Keeping your stuff neat will add a lot to your work.

Learn the routines of cops. If you plan to bomb a certain area and you really don’t want to get caught, hang out there for a few days, during the time that you would like to go out and hit that place up. Learn how often the cops swing around, if there are any times where less cops are around etc. Usually they don’t have random spurs and just decide to come down to that spot one moment. They tend to have schedules, but always expect them to show up, it will keep you alert.

Take along someone you can trust. Have them play look out for you.

Get in shape. Get ready to use those legs. As a last resort, out run the cops. For the most part you know you’re limits and you can usually tell right off the bat which cop can catch you or not. Run like you never ran before, and keep your stride as large as you possibly can, running long distances will help you a lot here. But be really careful if you do this, as I said this should be a last resort only, if they catch you while you’re running that’s another thing they can nail you for.


But keep in mind that cops don’t like to fill out paperwork, so they don’t like to arrest you. If you have a clean record they tend to go easier on you.

[GM: Also keep in mind that while vandelizing you should have at least SOME respect for the area. Try not to leave you can lying around, stash them in a dumpster or trash can rather then leave them lying around. If you dont even believe in the respect thing, keep in mind that the less evidence of activity they see (Cans and shit) the less they will keep their eyes on the area]

After a good deal of practice with cans...you should be fairly good. From here on it's just up to you practicing and getting better and better. Work on your style and developing it further and further. Don’t be afraid to try new things, stay away from the style you see everywhere. Take your graffiti to places no one has ever been. And remember, go big or go home.

[GM:Also keep in mind that you WILL get caught at some point. Accept it as a fact. If you dont think you are ready to get caught and face time, do NOT get into graff]

-------------------------------------------------------------------------------->
Guide compiled by: Ground Control
Information for guide taken from: Ground Control, Liberty-Munky, F Stylz, SharpieHigh Jr., Graffiti Machina
If it says GM anywhere, that is from me, graffitimachina.
-------------------------------------------------------------------------------->
Links and Information
3D/prespective Help and Tips
Original GC guide and replies
Ethis of Graff and Terms
Lots of graff literature C&P from sites, with another guide
Racking paint
Making Ink and Mops More on Mops/ink
Shitload of tips on graff and cans in general
Advanced graff theory by MADWAK
Step by Step guide to a Blackbook piece by MADWAK

Good GRAFFITI website.
Artcrimes.org
Bombing Science (good forums on there)
SevenCanz (One of my boys in NY run this site )

If you have any other links. please PM me and i will add it. And spelling corrects and such, PM me.

Hope this helps
~GEM, GraffitiExMachina




GraffitiMachina is a fictional name, and the owner uses this account for role playing purposes only. Any mention of graffiti or illegal acts is completely fictional and any relation to real life acts or people is completely coincidental.

BBoy.org passaround blackbook location: With Qubix

Last edited by GraffitiMachina : 08-11-2004 at 09:25 AM.
NEWBS TO THE FORUM
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NEWBS TO THE FORUM - 05-19-2004, 12:00 AM

I just wanted to add a lil to this thread for the newbs looking.

-Post your work in either the Newb Pics , blackbook , or Graff Flix threads. If u do not ur thread will be deleted, simple as that. If ur desperate for critque, keep bugging in the newb pics thread and me or another helpful user will eventually come by.

-When in a battle, please refrain from idol chit chat about when ur going to post or how much progress u have on ur peice, this is wat PMs are for. Nobody else really cares where u are on ur peice, and not posting so many comments will make ur battles 100x easier to judge. Judging is first to 5 votes or 3 votes for a competitor without any votes for their opponent. Observers please do not talk trash/compliment the competitors before both peices are up (so you dont bias the vote).

-Along the lines of the last comment, do not "shit vote". If you do not kno graffiti very well do not vote, its simple as that. Someone shuld not win because somebody "does not understand the other persons style."

Graffiti supplies - LOOK IT UP! Dont crowd these threads asking for sites on caps, save YOURSELF some time, go to a search engine and typing in "spray paint caps" or whatever you happen to be looking for.

Thnx for ur time, now read machinas post again. Peace
_murda




aka bboymurda

Last edited by qubixrube : 07-07-2005 at 07:08 PM.
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01-18-2006, 03:50 AM

nayone who hasnt been on this board for 6 months.. READ THIS! theres a lot of helpfull info and good tips. also READ BBOYMURDA's POST!!!!!!!!




Artist by choice, Vandal by definition.

NVC
New Virtues Collective
Ninja Vandals Crew
Nightly Villans Crew
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06-28-2006, 01:23 PM

First off, note that graffiti IS art, but illegal graffiti has it’s own respective consequences depending on where you live. You are responsible for your actions and I will in no way bear any responsibility whatsoever. This guide was NOT entirely written by me, I have taken information from several other writers in order to create a good guide.
----------------------------------------------------------------------------------------------------->

Alright, so you wanna be a writer huh? Well, I’ll try my best to help you.

First off, go buy yourself a drawing book, graphing paper, some pencils, crayons and markers. You can find these supplies in most stationary stores. If not, you can easily find them in any art supply store or such. The book you will be using is called your “Black Book.” You will use this book to practice and develop your stuff on paper first, then move on to walls if you so please.

Start by making letters. Just create alphabets, making each set look different from the one before. Don't connect them or make words as yet. Try to create a huge variety of alphabets, the more you have the better. Some people will tell you to go get pre-made alphabets online and copy them so you get a feel of it. I don't endorse it...but O'm not saying there's anything tremendously wrong with it either (as long as you don't rip someone's style). You can find a lot of these premade alphabets on the net, http://www.b-boys.com/graffitifonts.html has some fonts that you can use to start off with.

After you've gotten good at lettering...just try combining the letters, creating words and phrases. Get a feel for it, and learn how to manipulate your letters. Then work on integrating various symbols and objects...like the tried and true arrow. This is where your style comes in. Your work should be a reflection on you and how you feel, your characteristics, the best way to sum it up is that your style should be you. Always remember, style comes you and no one else can be you, so don’t rip someone else’s style. Stay true to yourself and remain unique.

When you do a piece on paper, draw it in pencil first and than use like a gel pen or a roller ball pen and trace the outlines really cleanly. It adds a lot to have clean lines. Also try coloring your work. Try to do some roundness with your lines, so that everything isn't at an angle, but don’t eliminate the usage of angular lines. Work on making some parts of the letter fatter than the rest, lines that vary add a lot to a piece. And don't try to connect every letter together until later, after you get the flow of things.

Things to Consider:
  1. Consider the spaces your letters create. Look at the spaces and shapes that your letters make out of the space surrounding your work and not just the space inside the work.
  2. Remember to balance out both sides of your work. Create an opposing pull of forces on both sides of the work. Think of it like a scale, you want the scale balanced and not leaning on one side. This does not imply symmetry.
  3. Consider the 3dementionality and directionality. Basically look at how your work manipulates the various planes that you can work with.
  4. Consider the direction of which your symbols and letters lead your eyes. They should lead the eye in towards the main part of the work (usually the center) and at the same time lead the eyes out, towards the space surrounding the letters (this is one reason you want to consider the space surrounding your letters). This concept sounds easy enough but it actually quite difficult to master. It takes a lot of practice, and you’ll see the difference in your work once you get it down.
  5. Flow and Rhythm- Alright people have trouble understanding this concept, but I’ll try my best to explain it. You want to make the text look like there's a "flow" to it. There should be one smooth motion across, there shouldn't be any abrupt stops. Symbols should flow into the picture and create more variety within the work. There should be a "rhythm" to speak of in the picture. Get where I'm going at?

    Think of your graffiti like a song for arguments sake...the beat is always constant...you want your pieces like that. If you’re into music, think of it in terms of that. Look at it this way (forget everything about flow right now)...your beat is always constant. It goes in a smooth motion and provides the ability for you to create rhymes/lyrics. If the beat was irregular and had all these constant noises and random beats popping up everywhere...not only would it pretty much really blow and lose all melody but it would also give you a lot of trouble trying to rap to it. When you spit you're beat is always there, it's compiled in a certain way to give you a "flow" and is not randomly assembled in various patterns just to make noise.

    Think of graffiti...apply those same concepts to it. If there is no "flow" within the artwork, how could it possibly be "melodious”? Now how to do this you ask? I really don't know...it just takes practice. Practice over and over and over and over again, different letters, different symbols, and different combinations of these. You could also try looking around and seeing how different writers do it. But DO NOT copy them in any way.

    Another way to think about it is if you’re a bboy. If you’re a bboy you know that there is ALWAYS a flow between moves when you link them. The transition between those moves and how smoothly you pull if off can really make your routine look sick as hell or crap shit. Same thing with graffiti.
  6. Think about how you can interlock the letters and manipulate it and still keep it legible. that way you dont run into road blocks when you did a letter in such a way that it disrupts the flow.
Now after long hours of practice with paper you should be getting better and better. Now we move onto cans. But just because you start using cans doesn’t mean you should stop doing paper. Continue working in your black book as it can only help you get better.

To practice with cans and not look stupid there are many things you can do. One common way that helps a lot is to just get blanks of wood (and other materials, especially if they’re no longer in use and you can manage to bring them home) and just practice on them. You’re going to encounter the inevitable problems that everyone does when you first start out (paint dripping etc.). Some general tips that might help solve your problems…consider how close/far away from the wall you are, the caps you’re using, the paint you’re using, and how you’re using the can.

Some good alternatives to cans: Markers and shoe polish (very good)

If you intend on writing illegally here are some general rules:
This isn't a rule but first I will ask you to consider the place your bombing and what you're going to be writing. Be respectful.

Practice at home. Learn to move across large areas quickly. Then work on getting in details faster and faster…BUT do NOT sacrifice clean-ness and accuracy for speed, learn to keep your work accurate and as clean as if you HAD taken painstaking hours to do it while getting your speed up. Doing it fast won’t exactly help you if it looks like absolute shit. Keeping your stuff neat will add a lot to your work.

Learn the routines of cops. If you plan to bomb a certain area and you really don’t want to get caught, hang out there for a few days, during the time that you would like to go out and hit that place up. Learn how often the cops swing around, if there are any times where less cops are around etc. Usually they don’t have random spurs and just decide to come down to that spot one moment. They tend to have schedules, but always expect them to show up, it will keep you alert.

Take along someone you can trust. Have them play look out for you.

Get in shape. Get ready to use those legs. As a last resort, out run the cops. For the most part you know you’re limits and you can usually tell right off the bat which cop can catch you or not. Run like you never ran before, and keep your stride as large as you possibly can, running long distances will help you a lot here. But be really careful if you do this, as I said this should be a last resort only, if they catch you while you’re running that’s another thing they can nail you for.

But keep in mind that cops don’t like to fill out paperwork, so they don’t like to arrest you. If you have a clean record they tend to go easier on you.

After a good deal of practice with cans...you should be fairly good. From here on it's just up to you practicing and getting better and better. Work on your style and developing it further and further. Don’t be afraid to try new things, stay away from the style you see everywhere. Take your graffiti to places no one has ever been. And remember, go big or go home.

-------------------------------------------------------------------------------->
Guide compiled by: Ground Control
Information for guide taken from: Ground Control, Liberty-Munky, F Stylz, SharpieHigh Jr., Graffiti Machina
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06-28-2006, 01:23 PM

BASIC DICTIONARY FROM ANY WEBSITE
(theres your credit)

Graffiti 101
A crash-course on graffiti
--------------------------------------------------------------------------------

Note: The material below is an excerpt from: http://www.graffiti.org/faq/graffiti.glossary.html

The Words: The Official Graffiti Glossary


--------------------------------------------------------------------------------

Slapped together by Chad chad@eee.org, with help from Schmoo.

Thanks to RaskeL & Celtic (for info on homemades and Griffin shoe dye), Eros (for old-skool NYC/subway info) and Subway Art by Henry Chalfant for basic info and references.



--------------------------------------------------------------------------------

"And the words of the prophets are written on the subway walls"--Simon and GarFUNKel, The Sounds of Silence


--------------------------------------------------------------------------------

An effort has been made to keep to some of the history of each word, its origins and its current application to graffiti culture.

ALL CITY
What a writer is considered to be when he/she is "up", but this term implies more status than being just "up". Many people can be "up", but only a select few could be considered "all city". Can also refer to a crew instead of just one writer.
BACK IN THE DAY
Refers to the "old days", old school, or when a writer first started writing. Also a hip-hop/rap term.
BACKGROUND
Originated on the subways out of neccessity. Backgrounds were used to make the piece stand out from all the tags and assorted scribbling on a subway car that make the piece hard to discern; the color or design painted behind the piece to make it stand out from the wall or train.
BACK TO BACK
A wall that is pieced from end to end all the way across. Also can refer to throwups that are one after another.
BATTLE
This is done when two writers or two crews have some sort of disagreement. The battle can take two forms: skills battle or getting up - essentially quality vs. quantity. A skills battle is when two writers piece a wall within a certain time period (usually a day or a few hours) and whoever does the best piece is the winner. A getting-up battle is when the writers take a certain area of a city and whichever crew can get up the most in that area within a certain amount of time (say a week to a month), wins. For both kinds of battle, an outside crew or writer judges who is the winner. The terms of losing and winning are usually negotiated by the crews involved and can be payment in paint, pot, a sock in the jaw, the losing crew has to stop writing their name, etc., etc.
BITE
To copy another writer's style. This is considered a no-no and is looked down upon, even though writers often borrow imagery from cartoons and comics.
BLOCKBUSTER
Big, square letters, often tilted back and forth and in (usually) two colors. Mainly invented to cover over other people and to paint whole trains easily, but they are effective on smaller walls for maximum coverage. Blade and Comet claim to have invented these.
BMT
Train line in NY that had only ridgys and ding-dongs (except for the As and Cs.)
BOMB
Prolific painting or marking with ink. To cover an area with your tag, throwups, etc.
BOMBING
To go out writing.
BUBBLE LETTERS
A type of graffiti letters, usually considered to be an older (and sometimes outmoded) style. Often used for throwup letters because of their rounded shape, which allows for quick formation. Phase2 originally created this style.
BUFF
Any means employed by the transit authority to remove graffiti from trains. The more modern usage is when any graffiti is gone over or removed from any surface, not necessarily just from trains.
TO BUFF, BUFFED
to erase, erased.
BURN
To beat the competition with your style. Also refers to a really good piece, as in one that "burns".
BURNER
Originally a well-done wildstyle window-down whole car, a burner is a very good piece. Obviously, the reference to a window-down car is not applicable for pieces that are not on trains. A burner is any piece that has good bright colors, good style (often in wildstyle) and seems to "burn" off of the wall.
CALTRANS
The part of the government in charge of freeways in Southern California.
CAP, FAT or SKINNY (tips)
Interchangable spray-can nozzles fitted to the can to vary the width of spray. These are usually racked off of commercial products, such as K-Mart's Bug and Tar, various cleaning products or starches. Many stores and graffiti fanzines sell caps nowadays. Also referred to as "tips" (as in "flare tips" and "thin tips".) The really big fat caps are sometimes called "softballs" because of the wide and soft-looking spray they produce. Tips are sometimes referred to by a certain number of fingers, corresponding to the width of the spray (for example, a "four-finger spray" would be about as wide as your hand. The number on the front of a tip is the catalog number for that model.
CHARACTER
A cartoon figure (usually, but not necessarily) taken from comic books, TV or popular culture to add humor or emphasis to a piece. In some pieces, the character takes the place of a letter in the word.
CHINA MARKER
A type of grease pencil used by artists to mark up contact sheets of photos or the photos themselves for cropping. They come in red and blue, and were adopted by writers for tagging because of the grease base. China markers are not very big, only as big as a crayon, but will write on almost anything.
CLOUD
Stylistic form applied to pieces. The use of clouds is not as freqent now as it was in the early days of subway car painting. See "background".
COMPUTER STYLE
A certain style of wildstyle that looks digital or bitmapped, as if it came out of a computer.
CRAZY
It means crazy in the dictionary definition but can also mean "really" as in "crazy big".
CREW
A loosely organized group of writers who also tag the crew initials along with their name. Crew names are usually three letters, many times ending with "K", which stands for "kings" or "kills" in most cases. Some crew names are just two letters, some are four, it all depends.
CTA
Chicago Transit Authority.
CUTTING TIPS
A way to cut standard tips, thus modifying them into fat caps or flare tips.
CUTTING LINES
A painting technique used on inside fills of letters and characters to get thin lines, thinner than thin tips.
DIS
To insult. Comes from "disrespect". Originally it was just a hip-hop/rap term but has found its way into the culture at large. Hey, even my mom says it! See "front".
DEF
Really good, (derived from "death"). In its day it had as much use in the hip-hop scene as in the graffiti scene. Not in use as much anymore, in some circles its use is considered downright cheesy. I'm all for bringing it back.
DING-DONG
Relatively new stainless type of subway car, so named for the bell that rings just before the doors close. Ding-dongs were preferred because they were so flat. They were a quick buff so no one did any full-scale pieces on ding-dongs.
DOPE
Originally a rap/hip-hop term that means "cool".
DOWN
To be in with, part of the group or action (as in "he's down with us"). Part of your connection, if you are down with someone.
DRIPS
Stylized drips drawn onto letters to add effect. Although inept paint application causing unintentional drips is considered the mark of a toy and is wack, stylized drips drawn on letters are acceptable. This style originated early on in New York subway graffiti.
FADE
To blend/blended colors.
FAME
What a writer gets when he/she is constantly and consistently getting up. One of the goals of writers is to have fame within the subculture of writers, and some, like Chaka, aim to have fame (or at least be recognized) outside of the subculture.
FANZINE
A fan magazine devoted to a narrow interest. In the graff scene, fanzines would obviously be devoted to writing, featuring photos of pieces, etc. The first graffiti fanzine was "International Graffiti Times" started by Phase 2. Nowadays there are many fanzines such as Can Control, Skills, Crazy Kings, and many others.
FAN SPRAY
A newer type of stock tip on spraypaint cans (used to be only on cheaper brands but almost every company, including Krylon, now sport these on at least one line of their paint) which sprays in a fan pattern that can be adjusted from vertical to horizontal, but is useless for tagging because it looks wack. May be used for fills but the cheezy tips prevent any kind of detailed can control. The tip is not removable for insertion of fat caps.
FAT
Can refer to something being thick, as a "fat line", or can be a general term of good, like "yo, that's fat!" Often spelled "phat".
FEMALE TIPS
A new type of tip that is called "female" because the can has a "male" counterpart. Traditional cans are vice versa. These female tipped cans are no good for writers, except maybe for fills, but even that's questionable.
FILL
The solid interior color of letters on a piece or throwup.
FLAT
Older slab-sided type of subway car; the most suitable surface for painting. This term refers mainly to subways, although it could refer to certain types of freight cars as well.
FLICKS
Prints of photos of graffiti. Also "flick" (singular) and "flix" (plural).
FLY
Cool, same as "fresh". Early hip-hop term.
FRESH
New, cool, good. An early hip-hop term.
TO FRONT
To hassle someone, to want to fight. For example, "You frontin' on me?" Also a hip-hop/rap term. Probably comes from "confront".
GETTING UP
Originally, "getting up" meant to sucessfully hit a train. Now it means to hit up anything, anywhere, with any form of graffiti, from a tag all the way up to a wildstyle burner -- although the term implies the process of tagging repeatedly to spread your name. Tagging something once would be getting up, but would not make you an "up" writer.
GOING OVER
One writer covering another writer's name with his/her own. Also known as "X-ing out" or "crossing out". "Crossing out" is usually just that, painting an X over another writers tag or piece. In the early days of New York graffiti, Cap was the master of doing black and white throwups to go over people. There was even a crew called TCO (the cross outs), whose main goal was to cross everyone out. See also "blockbuster letters".
GREASE PENCIL
See "china marker".
GRIFFIN
A type of shoe dye used in homemade markers.
GROCERY STORE INK
A kind of purple ink used by grocery stores in their marking guns. Writers took this ink to put in their homemades and refillable markers. Writers from back in the day swear by it because of its permanence.
HIP HOP
The culture in the late 70s and early 80s that spawned the graffiti culture as we know it now, breakdancing and hip-hop music, which has since turned into modern rap music.
HIT
To tag up any surface with paint or ink.
HIT UP
When something is covered with tags.
HOMEMADE
A type of homemade marker made out of old deodorant containers stuffed with socks or felt chalkboard erasers and filled with ink. Homemades have been made out of many things, including (most commonly) various deodorant containers all the way up to VHS videotapes. (!) Homemades have also been called "mean streaks," although this has no relation to the paint stick made by Sanford corporation.
HOMEMADE INK
A kind of homemade ink made for your homemade marker. The basic recipe involves shredding carbon paper and mixing it with alcohol and/or lighter fluid. Said to be almost as good as grocery store ink.
ICY GRAPE
An old, discontinued Krylon color that is prized by writers when the odd can turns up.
INSIDES
Originally referred to tagging the insides of subway trains. Now refers to the insides of any mass transit vehicle. For example, "He's the king of insides" would mean he's really up on the insides.
IRT
A train line in NY that had many burners because its cars were all flats.
JUNGLE GREEN
Another old, now discontinued Krylon color that writers go crazy over.
KARAK
Same as "character".
KILL
To hit or bomb excessively. To really get up in a major way.
KING
The best with the most. Some people refer to different writers as kings of different areas. King of throwups, king of style, king of a certain line, etc.
KRYLON
A brand of spraypaint, easily recognized by the distinctive 5-spot logo. Most favored by writers because of its large color selection and cheap price.
LAYUP
Side tracks where trains are parked overnight and on weekends. Initally used to refer to subway layups, but now can refer to freight-train layups.
MAD
Crazy, lots.
MAGNUM
A type of fat marker used by writers, not refillable.
MARKS-A-LOT
Standard black magic marker with a tip about a quarter-inch wide. Had its place in the early days of writing (early to mid 70s) but has been discarded in favor of bigger, better markers and spraypaint.
MARRIED COUPLE
Two cars permanently attached, identified by their consecutive numbers. This is an older subway term from New York.
MEAN STREAK
A type of paint stick made by the Sanford corporation. Writers like it because it is opaque, waterproof, and is generally a bitch to buff because the base solvent is ethyl glycol. Comes in white, blue, red and yellow. I've never seen black or green.
MTA
Metropolitan Transit Authority.
MURAL
A large-scale type of piecing, done top to bottom on a wall; usually a large production involving one or two pieces and usually some form of characters.
OLD SCHOOL
General term used to refer to the early days of writing, more specifically, the mid 70s to '82 or '83. Also may refer to hip-hop music of this period. Old-school writers are given respect for being there when it all started, and specific writers are remembered for creating specific styles. For example, Blade and Comet created blockbusters, Phase 2 created bubble letters, clouds, Skeme's "S", and so on.
OUTLINE
The drawing done in a piecebook in preparation for doing the actual piece. Also called a sketch. Can also refer to the outline put on the wall and then filled, or the final outline done around the piece to finish it.
PANEL PIECE
A painting below the windows and between the doors of a subway car.
PIECE
A graffiti painting, short for masterpiece. It's generally agreed that a painting must have at least three colors to be considered a piece.
TO PIECE
To paint graffiti, creating a piece, not just go out tagging.
PIECEBOOK
A writer's sketchbook where outlines and ideas to be executed are kept and worked out. Also referred to as a "black book" or a "writer's bible".
PILOT
A type of fat marker. Prized because it writes wider than a Marks-A-Lot and is made to be refilled.
PROPS
Respect, comes from "proper respect". From hip-hop/rap.
RACK
To steal, usually paints or markers. In the past, most writers stole all materials used for painting. Due to paint lockups in California and other areas, this is no longer possible, so most paint is now bought.
RIDGY
Subway car with corrugated, stainless steel sides, unsuitable for graffiti. Writers did mainly two-color throwups and some top-to-bottom throwups (one color and silver because silver was hard to buff) on these types of cars. Ridgys ran in Brooklyn.
ROLL CALL
Tagging everyone's name in a crew, or the list of people who helped create it to the side of the piece. Not done very often - tagbangers seem to like doing this.
RED DEVIL
A favorite brand of spraypaint that was quite popular back in the day, but now has wack fan spray for tips.
RUSTOLEUM
A brand of spraypaint, generally more expensive than Krylon.
SCRIBER
A tagging instrument, usually made out of a diamond drillbit, used to physically engrave one's name on buses and mass transit vehicles. Considered by some writers to be more destructive than is needed. Sandpaper is sometimes used to tag buses in the same manner--it too is considered mass destruction. Tagbangers and hardcore taggers seem to prefer these tools.
SCRUB
A certain type of throwup (usually two colors) that is filled very quickly with back-and-forth lines, rather than filled in solid.
SG-7
A type of big marker made by Sakura which is a little bigger than a Pilot, and it too is easily refillable, although it does not state that on the outside. Sakura makes a model the same size called "Pentouch" which is a huge paint marker, complete with a mixing ball inside of it.
SHOE DYE
Shoe dye kits are used sometimes for tagging, especially those that consist of a bottle with a brush/sponge device attached. They usually come in black and white. See "Griffin".
STICKERS
A form of tagging, most commonly saying "Hello, my name is". Can be anything from computer-generated, clear, generic blank stickers that have the writer's name on them to elaborate stickers with little pieces and characters. Some writers consider stickers to be for people who are "afraid" to use markers/paint, while other writers use a combination of stickers with markers and paint.
SUCKER TIPS
The stock tip that comes with a can of spraypaint. So named because only suckers would piece or tag with said tip.
TAG
The most basic form of graffiti, a writer's signature with marker or spray paint. It is the writer's logo, his/her stylized personal signature. If a tag is long it is sometimes abbreviated to the first two letters or the first and last letter of the tag. Also may be ended with the suffixes "one", "ski", "rock", "em" and "er".
TAGGING UP
The act of writing a signature with marker or spraypaint.
TAGBANGER
Combination of the words "tagger" and "gangbanger". A new subculture that has developed mainly in southern California. Not really considered writers, they tag, never piece, and almost never do throwups. Often they carry guns and bear more than slight resemblance to gangs. Not really considered to be true writers by writers, but are mostly considered a hinderance and a negative influence on a creative writing and piecing scene.
TAGGER
As opposed to "writer"; this term is usually used to refer to those who only do tags and throwups and who never piece. Some taggers seem to like more destructive methods such as scribers and sandpaper in addition to markers and paint. Some taggers do get interested in piecing, some don't. Taggers who never piece are sometimes called "scribblers" by more experienced, piecing writers.
THIRD RAIL
On New York subway lines, this is the extra rail that supplies the power for the trains. If you touch the 3rd rail, you will most likely die.
3D
A three-dimensional style of letters, used for added effect on basic letters, sometimes applied to wildstyle for an extra level of complexity. This style was invented by Phase 2.
THROWUP
Over time, this term has been applied to many different types of graffiti. Subway art says it is "a name painted quickly with one layer of spray paint and an outline", although some consider a throwup to be bubble letters of any sort, not necessarily filled. Throwups can be from one or two letters to a whole word or a whole roll call of names. Often times throwups incorporate an exclamation mark after the word or letter. Throwups are generally only one or two colors, no more. Throwups are either quickly done bubble letters or very simple pieces using only two colors.
TOP TO BOTTOM
A piece that extends from the top of the car to the bottom, completely covering it. Can also refer to a wall or building that has been pieced from top to bottom. The first top-to-bottom car was done in 1975 by Hondo. Dead Leg did the first top to bottom with a cloud. Others who started rocking the style, and were known for the "T2B's" were Lee, Chain, the Fab5, and later, Newave crew.
TOY
An inexperienced or incompetent writer. Someone whose writing is either wack, who uses sucker tips, or whose style is just plain cheesy. One old definition of "TOYS" is that it stands for "trouble on your system".
ULTRA-WIDE
A type of marker that is extra wide (about an inch and a half), intended for making posters, etc. It too is easily refillable. Often called "Uni-Wide", which is a brand name.
UP
Describes a writer whose work appears regularly everywhere and who is currently writing.
UPS
Refers to people's tags, for example, "So and so's crew has mad ups on main street"
ULTRA-FLAT
A paint preferred by taggers because it sticks to things better than glossy paints.
WACK
Substandard or incorrect (derived from "out of whack"). Anything that looks cheesy or weak. Badly formed letters, incompetent fills, dumb tags, etc.
WET LOOK
No, it's not Jheri Curl, it's an old-school brand of spraypaint. No longer in production to my knowledge.
WILDSTYLE
A complicated construction of interlocking letters. A hard style that consists of lots of arrows and connections. Wildstyle is considered one of the hardest styles to master and pieces done in wildstyle are often completely undecipherable to non-writers.
WINDOW DOWN
A piece done below the windows of a subway car.
WHITE TRAINS
In '83 they started running the white trains on the 6's. Writers loved these cars because they were like canvas all primed and ready to paint.
WHOLE CAR
Obviously a piece covering a whole car. See "top to bottom". This one's by futura 2000.
WHOLE TRAIN
The masterful feat of covering a whole train with pieces. Two whole trains were done in 1976 by Caine I and two more were done by The Fabulous Five soon after.
WRITER
Practitioner of the art of graffiti.
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